After The FACTS.

Looking back at my very hectic but fun day at FACTS 2010 this year, a few things come to mind, but I would like to start straight out of the gate, with the feeling I had all day. This is a great hobby we have and sometimes we tend to forget it. Sitting at home behind a PC screen, scrutinizing every single detail of every single comic or storyline, getting into online flame-fests and being sarcastic slash negative because it looks right the cool thing to do.

But when it comes down to brass tacks, this hobby is all about the people.. I met an army of nice people today, from A-class artists, to very young fan-boys, from indie publishers to volunteers who go without sleep to make sure everyone is entertained. From retailers who actually care more about pleasing the customer by selling them a fantastic hardcover than by just the sale.

I'm guilty of being too jaded myself, telling everyone in earshot (and beyond) that cons really aren't that great, that there are better deals to be found online, that they are loud, expensive and crowded, that the food is bad and the service is worse etc etc...Well I was wrong, cons are the lifeblood of our hobby and you are really missing out if you don't attend one near you.

By now if you are guessing that I had a great time then you deserve a gold star. I hardly bought anything (one comic !) worked my ass off and already left the house at the crack of dawn, but it was all worth it. Here are some highlights. I forgot a lot of things and will undoubtedly have left some people out, sorry for that, but I still love you.
The very first and probably the biggest highlight was getting to meet Dave Gibbons.
After we had build up our booth, I walked over to the next hall and the Artist's village. There were already people queuing for Frank Cho and Greg Cappullo, the line for Dave Gibbons was still empty which kinda surprised me. Mind you this was about 1 1/2 hours before the artists were due to arrive and the general public was admitted.

At 9.00 AM the early-bird ticket holders were admitted (one hour before the rest) and at 9.15 I walked over the artist section again. The line for Cappulo had grown to maybe 20 people, about 10 for Cho and three fans were eagerly waiting for Dave Gibbons.
As I didn't expect a lot of sales before 10.30 AM and my partner was manning the booth, I decided to get in line as well.Dave showed up at about 10.05 AM and was eager to go. Frank Cho and Brandon Peterson showed up each over an hour late...All the artists had sampled some Belgian beer the night before and only Dave Gibbons was able to to fight the hangover and be there on time. Separating the men from the boys and showing he is the consummate professional.
The first person in line wanted a Rorschach head-shot, which Dave drew in about 10 minutes and looked really nice. Oh, prices were €50 for head-sketches and €75 for full figure. Quickie sketches and sigs were free. Second guy just wanted his Watchmen trade signed, so that went quickly and the third guy, whom I regularly talk to online, wanted a Comedian sketch..which I think looks fantastic, so I included Philippe's commission here as it is truly breathtaking seeing Dave draw this in a matter of minutes, first blue-line then ink...he was like a machine. (Yes Phille I was looking over your shoulder when Dave drew it)

And then it was my turn, I had brought my Watchmen page along and asked Dave to sign it, he looked it over for a while and told me "it's always nice to see an old friend", referring to the page of course :)

We chatted a bit,he asked where I got it and told the story of how he sold the art (per complete issue !) to London's Comic Showcase store. I don't know if Dave wants it out there how much he got for each issue + cover, but I was shocked to find out how low it was. But seeing Comic Showcase then sold the pages for between £70 and £150 each, you can figure it out.

Mister Gibbons and I also discovered we had a mutual friend, Paris_Fred...now there's a guy who gets around. I didn't want to take up too much time as the line behind me had now grown to over 25 people (and it didn't seem to get any smaller throughout the entire day) so in parting I asked him who his favorite artist was and after some thinking he said "Wally Wood"...Dave Gibbons was really a very nice man to meet, an excellent artists and he has excellent taste in other artists as well :).

I also saw a lot of old friend who it's always a delight to bump in to (you know who you are !) and finally met some people I know from various chat-boards face-to-face...which is always nice.
I sold a lot of trades and hardcovers at the cheapcomics booth, but most of all tried to talk to people about which series they liked and suggested other titles they might also be interested in (Anything Walking Dead flew of the shelves).

I'm always in awe of all the people that spend months making their own costume and then proceed to walk around it it, sweating like a pig and not being able to buy anything as they can't stoop down to look in the boxes, and even if they did....where would they put it as they have no pockets. There were a LOT of cos-players at FACTS, but the guy walking around in the home-made Iron Man suit deserves deep deep Kudos ! I wonder how many batteries it took ?
I was also impressed by my friend Malkavian of Brainfreeze who was immaculately dressed as a pony.


But what really got to me were the independent publishers, the small-time companies who still publish comic books, against all odds, for the simple reason of the love for the medium. I'm pretty sure most of them don't break even and still they persevere. My deepest respect goes out to the people at Dropcomics and especially to my friends at Windmill Comics This Dutch team of writers, editors and artists are keeping the spirit of early comic fandom alive. They are the lifeblood of the hobby and I consider them today's Jerry Bails, Don Thomson, Biljo White or Roy Thomas. Thanks guys, may fame and fortune find you some day

More Triumph than Torment

I've talked about "grails" in the past.The item you want more than anything else, the secret sweetheart of your collector's heart.
The item you haven't bought yet, but would the minute you won the lottery...if you could find it that is. You see even if you can afford your grail, your not always sure to find it, especially when we're talking original art.

I know most of you also have a grail or grails even...me I have a grails list (groan). It's a list I've compiled over the years, filled with pieces I just HAVE to own. It used to be a top-10 but then I fell in love with Wally Wood's EC work and now want a piece of that as well (but that's for another blog entry). The list is easy ; there is no time limit it has to be filled one day. The item which is at #1 is the item I'm pining for the most, but that doesn't mean it's the most expensive or the hardest to find, it's just the piece I want the most and spend the most time hunting down.

Now with all my buying, why is there still "a list" ? Well good question, I can afford some items which are on the list right now, but I added a twist. I put a maximum price I'm willing to pay next to each item and I stick to it. Of course I use realistic prices, but I don't want to pay over market or more than I think the page or book is worth. Trouble is that at that particular price more people want it and I end up not getting it more than not. But I guess that's why it's a grail. If it was easy it wouldn't be on the list.

Now comic book grails mostly come down to a perfect mix of price and availability and if both pan out you buy the book. But original art ? Oh boy that's a whole different kettle of fish. The biggest problem is of course that original art pages are one-of-a-kind and if you want a certain page, well good luck.
First it has to exist, then if it did survive then you need to find out who's got it. And even if you do track down the seller let's hope he is willing to sell it...at a price you can live with. But even if you broaden your scope and your grail is "a page" out of that book or "a page" featuring "those characters" from "that artist" it's still can be very difficult. Good luck if you want a Frank Miller Dark Knight page or a Watchmen page...there are rarely any for sale.

When I started collecting original art (exactly a year ago today !) My grand plan was to someday own a Dr Doom page from all of the great Silver and Bronze age artists. In fact I don't usually collect anything newer than 1985, but I made one exception...Mike Mignola.
All my favorite artists are from the 60's and the 70's, some from the 80's but almost none newer than that. I am and always will be a Silver and Bronze Age collector. But Mignola, boy now there's a talent. Alan Moore once described Mignola's work as "German expressionism meets Jack Kirby" and I completely understand what he means. Mignola is one of my top-5 favorite artists of all time and my all-out champion of the last 25 years. So the plan was to also include a Mike Mignola Dr Doom page.

The trouble was that Mignola didn't exactly leave a large body of work when he was still at Marvel in those pre-Hellboy days. In fact the only Doom he did was in that fantastic Graphic Novel he did together with Roger stern "Doctor Strange & Doctor Doom: Triumph and Torment". This was one of the stories that made me the Doom fanatic I am today. It's just the perfect story, Doom gets closure concerning his mother's soul and Dr. Strange is forced to look at Doom in a new light. So the hunt was on to get one of the pages from this book...and not any page, oh no. I wanted a page with Doom on it (of course).

So I searched high and low and talked to a lot of people, figuring, this book is fairly recent (1990) and most Mignola fans will be after Hellboy art, so this should be easy. Well if it had been easy it wouldn't have ended up on my grails list. In fact there are only about 10 pages that I know about in collector's hands (where are the others ?) And nobody was interested in selling or trading. The more I searched the more bad news I got, not only weren't any for sale, worse still there were a bunch of other collectors actively searching for the same pages.

But last week my quest came to an end, I was lucky enough to stumble on this page for sale and my offer was accepted. The wait was long and hard,(especially the last week when the page was in the mail) But I'm now the proud owner of page #73 of one of the best Doom books out there and my grails list is now down to 10 entries.

But after all this you still haven't seen the page ? Well I'm still working on a decent scan as this page is HUGE, the same format as an early Silver Age page (twice-up) and I need to affix some of the speech bubbles that are coming loose. But in the meantime here is a link to a larger scan of the page and a scan of the original (published) color page. Enjoy !

Dead but not forgotten

Has it really almost been three months ? Wow this is the longest time I've dragged my heels on this here blog. No excuses, life and work always take precedence and the last few months have been busy, stressful and quite hectic so the times where I did fine myself with some free time I didn't particularly feel like working on my blog.

Another reason is that I'm not buying that many comic books anymore. After buying like a Duracell Bunny for the last 6 years, things are slowing down.
Not that I'm getting tired of the whole thing,but when I started collecting there were about 10.000 books I wanted and now there are less than 50.
As my collection is nearing completion I find myself gravitating towards original art more and more. And as OA costs a whole lot more than most comic books I need to prioritize. If I have to choose between buying 500 books or a nice piece of OA, well let's just say they OA has been winning big for the last year.

But never fear, I do plan to complete my series and this is exactly the reason for this particular blog entry. My Captain America series is now complete !
The very last issue I needed was issue #111 from 1968, a classic Steranko issue and weirdly enough it featured this panel :





Cap was apparently killed battling those evil evil Hydra minions in this issue (he wasn't really dead).
The strange thing is that I only started collecting Captain America when he was "killed" again last year...so I got in to the game very late, but at least I managed to complete #100 (first issue) to #400 in about a year. Some weird symmetry going on here...

Collecting Cap was an absolute thrill, most issues are affordable, sport excellent covers and a host of comic superstars have given their best when when working on the title.
Not all runs are entertaining, some are downright dull or stupid, I never cared for the "black-suited" Cap that turned into US agent, but I think that Captain America is Marvel's biggest iconic character next to Spider-Man. Sure Wolverine and all the X-people are a lot more popular than good ole' Cap, but the costume, the origin, the symbolism...it's all just perfect and he is the only Marvel (Timely) character from the 1940's who's still very popular and very recognisable.

So to celebrate a little, here is the intro to the Marvel 1960's Captain America cartoon. Enjoy

Keys leaving Home

First of all my apologies to The Beatles for the that terrible pun on one of their finer songs..but I've been sick and lost a lot of braincells and basically it's a miracle I could come up with that one. And with that you know the reason why it took so long for me to write the end to the previous blog...flue, the human kind. But I'm back now and I hope you are too.

Anyway as stated previously I traded my Amazing Fantasy #15 + my X-men #1 for something else, now what's worth about the same as these two keys ? (And probably worth more to me or I wouldn't have traded) ? Tough one ! Not a lot actually. Sure there are more valuable books, but these (Detective Comics #27, Action #1) are worth about 20 to 50 times as much...and nobody is going to give me that.
I couldn't think of any other Silver Age book (or a combo) either..so don't feel bad. But I never said I traded it for a book right ?
Both books went to a good friend and fellow collector who gave me this in return :

Yes, an original Watchmen page. I feel very privileged and lucky to get my hands on this as they are impossible to get. Not a lot of pages about and those who have them usually hang on to them.
Always wanted a Watchmen page with both Ozymandias and Rorschach, and not a lot of those around. Happy I was able to pick up this page which features 3 of the main protagonists (Ozy, Rorschach and Nite-Owl ). Now this might sound strange and even a bit pretentious, but a Watchmen page is not my grail piece like the AF #15 was. But too much had happened with my copy and it would always bring back some unpleasant memories and obtaining a Watchmen page was a once in a lifetime chance especially for one living so far from the rest of the collecting community.

When I got home with my page the first thing I did was go to my HC shelve and slide out my Absolute Edition of Watchmen. I bought this when it first came out and it had remained unread and still shrink wrapped (hey they go up in value and these command a premium don't you know) as I used my TPB copy to read the story.
I removed the shrinkwrap and opened the oversized HC. I flipped to the page I now owned and a warm sense of joy (or maybe capitalism ?) came over me as I now fully realized that I was the only one in the world who owned of this particular page of this masterwork. I then started reading the series again, probably for the 8th time in the last decade and fell in love with it all over again. Damn fine book, damn fine page.

The Golden Path

I remember a few years ago I was having an online conversation with some (modern) comic fans and someone referred to me as the "Golden Age - Silver Age Collector". Well I objected to this "term of endearment" and corrected him. Mainly because I always considered myself to be a "Silver and Bronze Age" fan and secondly because I didn't even own a single GA book and frankly wasn't interested in this segment of the hobby at all.

But how times change...In the past year or so I've come to appreciate certain Golden Age books or titles and even started collecting them. I have a big fondness for EC pre-code horror (which, frankly are among the best comics ever made)and Shomburg-cover Timely's (even thought most of the Timely interior stories are a little "innocent").

And a few months ago I decided to go with DC's best character and try to collect a full run of Batman books with Joker covers. Maybe one day I'll try and complete the full Batman run from 1940 to 1990, but the Joker covers are a neat way to start.

But this is old news as I blogged about this in the past, but today I received this little beauty. Agreed I already bought another GA Batman/Joker cover in 2007, but this is the first that cost me serious coin. As a Xmas present to myself I went out and bought the very first Joker cover in the Batman series, Batman #11 from 1942...now the oldest book in my collection.

This book has one of my favorite covers of all time, I think it's just fantastic. Batman knocking out the joker with a firm right-handed punch, the magnificent deck-of-cards background and Robin almost out-grinning the Joker himself.
Truly an early GA masterpiece with all the credit going to writer/creator Bill Finger and artist/creator Jerry Robinson. The most work that Bob Kane did on this book was probably sign his name on the cover, if he didn't have Robinson do that for him as well

And to think the original cover art to this book actually still survives to this day.
Here's Heritage's Ben Samuels who discovered the art a few years ago, before it was sold for nearly ...$200.000.

Silvio !

Even when I was a kid, I always was more interested in story rather than art, and there were only a handful of artists I would recognise by their style alone...Sal Buscema was always one of those. Don't like everything he did, but when I saw this action page with the typical "Sal Buscema Hulk face" I just had to go for it

Sal Buscema is, of course, the younger brother of John Buscema. He started his career in the mid 1960s, inking his brother's work but pretty much came into his own a few years later.As a successful penciller at Marvel he was one of the fastest pencillers and inkers working there and was one of their top artists for the next 35 years.

Now even though I seem to keep buying Sal Buscema pages, I'm not a googly-eyed fan boy, some of his work I'm really can't get in to. He is one of the very few Silver Age artists who's style evolved to meet the grittier, sharper-edged look of the 90's and not for the better.
Because of his speed, unfortunately he was often overworked and overused and some of his work shows this.
But when Sal loved a project or a character like The Hulk or Captain America he really aced it.



I picked up this latest piece on eBay and like it very much, lots of action, lots of Sal Hulk-love going on and do I really have to rant and rave about the villain in this page ?
I need to check the time lines on this, but isn't the Brood warrior a dead ringer for the famous Aliens from the same-titles movie franchise ? I wonder which came first ?



Oh and the weird title of this entry ? Sal's real name is Silvio

There's a riot going on

The Summer was quite uneventful when it came to major purchases, in fact I hardly bought anything at all. Normally Summertime is when my spending increases because I'm home from work and get to be on-line more (yes even more) and let's not forget there are bargains to be had during this period.

Lots of people sell off their excess stuff at lower prices because they need money to go visit all the cons. And last but not least, a of of people are on holiday, away from the computer or just outside more and there are less bidders for stuff on eBay. But like I said, I didn't buy a lot of books this Summer, but what I forgot to mention is that I did spend a lot of money this Summer...just not on comics

Ever since the punch in the stomach I got from my AF15 splitting I have taken a step back from collecting, this happens to me about once a year and never seems to last, but this time it lasted three months.
I just wasn't interested in hunting down books or looking at auctions. And I certainly wasn't about to spend even more money, not knowing what my AF15's fate was. So I turned to the side-street of comic collecting and picked up where I left about four years ago. I started buying original art again.

Back in 2003 I bought a John Buscema page with Doom/Superman/Spider-man and a Dave Cockrum Cover recreation of X-men 145 (Doom holding Storm). I was planning to collect Silver and Bronze Age pages featuring the good Doctor, with the crowning piece a nice Kirby Doom-FF battle page.
But at the time I was also very busy completing the Marvel Superhero titles and you can only stretch a dollar that much. I did check eBay every week for a nice vintage Doom page, but the pickings were slim and when I did spot something I liked it was a bit too expensive for me.

The art collecting kinda drifted to the background, but has now resurfaced. The sad news is that due to the increase in price (even in the last few years) a Kirby FF/Doom page will probably be out of my league for a while....we're talking $5000 just for a starter page. The good news is that I've decided not to concentrate on Doom and only Doom any more.
I'm going for published Marvel Superhero art up till around 1985 with the emphasis on Doom, Captain America and Hulk pages.
But if I find a page from a later date which I like (a Sean Phillips Zombie Doom ) I won't turn it down.

I've bought a few pages this month to start me off, and this is the first one I'd like to share.




It's a Sal Buscema splash, majestically showing Captain America going fist-first into a full blown race-riot.
Can't get more dramatic than this.

I decided not to frame my art, but to keep it in a special portfolio, secured next to the comic page with some info attached.